J.Willet, BIOPLAY: Bacteria Cultures in Human Futures: Art in the Age of Uncertainty. Andy Miah edt. FACT (Foundation for Art and Creative Technology) Liverpool, UK. 2008 Human Futures


Heibert, Ted. Edt, Naturally Postnatural—Catalyst: Jennifer Willet (forthcoming)
Seattle: Noxious Sector Press, 2017.  Including contributions by: Iain Baxter& and Adam Lauder (CAN), Warren Cariou (CAN), George Gessert (USA), Christian Kuras (UK), Marta de Menezes (PL), Natasha Myers (CAN), Kira O’Reilly (FIN), Melentie Pandilovski (AUS), Paul Vanouse (USA), Amanda White & Alana Bartol (CAN), Robert Zwijnenberg (NL).

Editorial Projects

J.Willet, Guest Editor, Introduction: Biomobilities Issue
Wi: Journal of Mobile Media, Vol. 9 No. 1,
Mobile Digital Commons Network (MDCN), Montreal and Toronto, 2015.

Graduate Researcher: Journal for the Arts Science and Technology
Special Issue: Selections from the 2nd R/évolution Conference Volume 1 – No. 2 – 2003
Co-Editor with Candis Steenbergen and Jason Morgan
ISSN 1708-0274

Essay Publications

J.Willet, The Great Lakes Algae Organ (forthcoming) in “Plantarium: Human-vegetal Ecologies.” Olga Cielemęcka and Marianna Szczygielska, Edts. Journal of Environmental Humanities.

J.Willet, INCUBATOR Art Lab: Re-imagining Biotech Species as Co-Producing our Shared Ecology (forthcoming) Artnodes 20: E-Journal on Art, Science and Technology, 2017.

J.Willet, BioARTCAMP: Trekking the Lab into the Field
In “Biomobilities” Special Issue, J.Willet Edt.  Wi: Journal of Mobile Media, Vol. 9 No. 1, Mobile Digital Commons Network (MDCN), Montreal and Toronto, 2015.

J.Willet, Bioart: Collaborating with Life
Exhibition Catalogue Essay
Karsh-Masson Gallery, Ottawa, Ontario, 2015.

J.Willet, Performing Biotechnology:
Reimagining inter-artist/interspecies interrelations in the laboratory with Kira O’Reilly
.  E-Misférica 10.1 BIO/ZOO
Hemispheric Institute, NYU, USA, 2012.

J.Willet & S.Bailey, BIOTEKNICA: Bioéthique et culture de tissus humains : étude de cas (French Trans.) within Bioart : Transformations du vivant, Ernestine Daubner
and Louise Poissant edts. Les Presses de l’Université du Québec, Québec, 2012.

J.Willet, BIOPLAY: Bacteria Cultures within Human Futures: Art in the Age of Uncertainty, Andy Miah Edt.
FACT (Foundation for Art and Creative Technology) Liverpool, UK, 2008.

J.Willet & S.Bailey, BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production, in MutaMorphosis: Challenging Arts and Science.
CIANT, Prague, Czech Republic, 2008.

J.Willet & S.Bailey, BIOTEKNICA
CAPSULA, Barcelona, Spain, 2007.

J.Willet, Why BioArt? Towards Redefining the Specialist
CAPSULA, Barcelona, Spain, 2007.

J.Willet & S.Bailey, BIOTEKNICA: Teratologies
Aminima no. 19,  Barcelona, Spain, 2007.

J.Willet, Bodies in Biotechnology
Leonardo Electronic Almanac, special issue “Wild Nature and the Digital Life” Dene Grigar, edt.  Vol 14, Issue 8, MIT Press, 2006.

J.Willet & S.Bailey, BIOTEKNICA: Organic Tissue Prototypes
The State of the Real: Aesthetics in the Digital Age, I. B. Tauris, 2006.

J.Willet & S.Bailey, BIOTEKNICA: Soft Experiments from the Laboratory proceedings: New Constellations: Art, Science, and Society,
Museum of Contemporary Art, Sydney, Australia, 2006.

S.Bailey & J.Willet, BIOTEKNICA: Self-Experimentation and Tissue Culture (French trans.)
in “L’art biotech à vif face au post-humain” INTER Art Actuel; Montreal, 2006.

J.Willet, Kathy High – Embracing Animal (English, and French trans.)  2005
In Magazine électronique du CIAC, no 23 October 2005

J.Willet, The Artist as Terrorist: Tagny Duff – A Retrospective 2005
In PDoCA Public Domain of Contemporary Art an on line and artist book publication, open source artist history project

J.Willet & S.Bailey, BIOTEKNICA: Reflections on Reproductive and Cloning Technologies 2003
In Graduate Researcher: Journal for the Arts Science and Technology Vol1 – No. 2 – 2003, ISSN 1708-0274

J.Willet, Imagining the Self 2002
Image/Text essay in Affective Encounters proceedings The University of Turku, Finland
ISSN  0784-3933; ISBN  951-29-17XX-X

J.Willet, GUISE 2001
Exhibition catalogue essay for Guise by Diyan Achjadi
Published by Articule Artist Run Centre Montréal, Québec
ISBN: 2-920306-29-4


J.Willet, (RE)Embodying Biotechnology: Towards the Democratization of Biotech Through Embodied Art Practices, Concordia University, 2009.
(RE)Embodying Biotechnology is a research/creation dissertation that serves to investigate the intersection of art and scientific practices in the biotechnological sphere.   This work investigates the transformative potential of BioArt in producing complex embodied ethical engagement in public discourses surrounding biotechnology. Including: 239 pages + 3 Appendix + 1 DVD Video.
Principal Advisor: Dr. Kim Sawchuk, Communication Studies, Concordia University.

Selected Artwork Publications and Catalogues

Laboratory Ecologies
Roberta Buiani Catalogue Essay
Hamilton Artist Inc., Hamilton Ontario, 2017.

BioART: Collaborating with Life
J.Willet Catalogue Essay
Karsh-Masson Gallery, exhibition catalogue, Ottawa Ontario, 2015.

Possible Futures: What is to be done?
Srimoyee Mitra Catalogue Essay
Art Gallery of Windsor, exhibition catalogue, Windsor Ontario, 2015.

Corpografia: El cuerpo en le fotografia contemporanea
By Lorenc Raich Munoz, Casimiro Libros: Madrid, 2012.

They’re All Hybrids Catalogue
Propeller Centre for the Visual Arts, Toronto, Ontario, 2011.

Art+Science Now
Art/Science Survey by Stephen Wilson, Thames & Hudson: London, 2010.

inbetweentime Festival Catalogue
Arnolfini Museum, Bristol, United Kingdom, 2010.

Open Corridor Festival Catalogue
The Green Corridor, The University of Windsor, 2010.

At the Crossroads of Art and Medicine
Sean Caulfield Catalogue Essay
Galerie d’Art Foreman, Bishop’s University, Sherbrooke, Canada, 2009.

Festival Key of Life Catalogue
Scheltemacomplex, Leiden, Holland, 2009.

Prefix Photo 18: Technology and the Body
Volume 9, no 2, Nov. 2008, Prefix Institute of Contemporary Art Toronto, Ontario, Canada, 2008.

Imagining Science Catalogue
Art Gallery of Alberta (AGA), Edmonton, Alberta, Canada, 2008.

Ecology of the Techno Mind Catalogue
Ars Electronica Festival, Lentos Museum, Linz Austria, 2008.

Enter3: International Festival for Art, Science, and New Technologies
CIANT: International Centre for Art and New Technologies, Prague, Czech Republic, 2007.

It’s Alive! A Laboratory of Biotech Art Catalogue
Montserrat College of Art, Beverly, MA, 2007.

LEAD: Jennifer WIllet – Wild Nature and Digital Life Chat
Live online chat with Ryan Griffis, and Marcus Bastos,
Hosted by Leonardo Electronic Alminac, 2007.

Interview with Jennifer Willet and Shawn Bailey of BIOTEKNICA
By Francesca Ezzelino, in Simultaneita: New Media Arts Magazine online issue 1/2006

New Species Catalogue (Slovenian, and English trans.)
Break 2.3 Festival Ljubljana, Slovenia, 2005.

Bioart In Question: Adam Zaretsky Talks With Shannon Bell, Sam Bower, Dmitry Bulatov, George Gessert, Kathy High, Ellen K. Levy, Oron Catts & Ionat Zurr And Jennifer Willet (English, and French trans.)  In Magazine électronique du CIAC, no 23 October 2005

Bioteknica, ou le Théâtre de la Science (French, and English trans.)
In Magazine électronique du CIAC, no 23 October 2005.

Art et Biotechnologies
DVD-ROM Anthology (1st and 2nd edition) Louise Poissant, Ernestine Daubner Edts.
Presses de L’Université du Québec, ISBN 2-7605-1328-9, 2005.

Pensei Que isto era uma Galeria de Arte – Experiencias do Publico em Bioarte
Essay by 
Meagan Schlipalius
 in NADA – 2005 No 05 – Portugal, 2005.

HTMlles 07 Périphéries + Proximités Catalogue
Works presented at the International Cyberart Biennial, 2005.

BEAP (Biennial Electronic Arts Perth) Catalogue
Collection of works presented at BEAP, 2004.

Articule: Annual Programming Catalogue
Collection of works exhibited and supported by Articule Artist Run Centre
ISBN 2-920306-39-1, 2003.

European Media Arts Festival Catalogue
Collection of works, descriptions and essays presented at the EMAF
ISBN 3-926501-23-5, 2003.

Segments et spécimens: réflexion sur les relations entre photographie et médecine
Collection of images and essays on art and medicine
Editor: Les Éditions J’ai VU, ISBN: 2-922763-05-6, 2003.

The Vital Illusion
Catalogue published by The Triangle Gallery Calgary, Alberta, 2002.

SMART: Symbols of Memory, History and the Body
The Graduate magazine, Concordia University, 2002.

Designs for Everbright
Six images published in The Canadian Women Studies Journal
‘Young Women: Activists, Feminists, Grrrls’ Winter/Spring, 2001.

APEC Young Artists Exhibition
catalogue and CDROM published by APEC, Brunei Darussalam, 2000.